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hidden portrait

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According to French scientist Pascal Cotte, an image of a portrait underneath the Mona Lisa has been found beneath the existing painting using reflective light technology.

Pascal Cotte said he has spent more than 10 years using the technology to analyze Leonardo’s most celebrated artwork.

He claims the earlier portrait lies hidden underneath the surface of the Mona Lisa painting.

A reconstruction shows another image of a sitter looking off to the side.

However, the Louvre Museum has declined to comment on Pascal Cotte’s claims because it “was not part of the scientific team”.Secret portrait under Mona Lisa

Instead of the famous, direct gaze of the painting which hangs in the Louvre Museum in Paris, the image of the sitter also shows no trace of her enigmatic smile, which has intrigued art lovers for more than 500 years.

However, Pascal Cotte’s claims are controversial and have divided opinion among Leonardo experts.

The scientist, who is the co-founder of Lumiere Technology in Paris, was given access to the painting in 2004 by the Louvre.

Pascal Cotte has pioneered a technique called Layer Amplification Method (LAM), which he used to analyse the Mona Lisa.

It works by “projecting a series of intense lights” on to the painting, Pascal Cotte said. A camera then takes measurements of the lights’ reflections and from those measurements, the scientist said he is able to reconstruct what has happened between the layers of the paint.

The Mona Lisa has been the subject of several scientific examinations over more than half a century. More recent techniques include infrared inspections and multi-spectral scanning.

Pascal Cotte has claimed his technique is able to penetrate more deeply into the painting.

He said: “We can now analyze exactly what is happening inside the layers of the paint and we can peel like an onion all the layers of the painting. We can reconstruct all the chronology of the creation of the painting.”

Leonardo da Vinci is believed to have worked on the painting between 1503 and 1517 while working in Florence and later in France.

There has long been debate about the Mona Lisa’s identity. But for centuries, it has been widely believed that she is Lisa Gherardini, the wife of a Florentine silk merchant.

However, Pascal Cotte has claimed his discoveries challenge that theory. He believes the image he has reconstructed underneath the surface of the painting is Leonardo’s original Lisa, and that the portrait named Mona Lisa for more than 500 years is, in fact, a different woman.

He said: “The results shatter many myths and alter our vision of Leonardo’s masterpiece forever.

“When I finished the reconstruction of Lisa Gherardini, I was in front of the portrait and she is totally different to Mona Lisa today. This is not the same woman.”

He also claims to have found two more images under the surface of the painting – a shadowy outline of a portrait with a larger head and nose, bigger hands but smaller lips.

Pascal Cotte says he has found another Madonna-style image with Leonardo’s etchings of a pearl headdress.

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A hidden portrait has been found by scientists beneath the brush strokes of The Blue Room, a 1901 Picasso artwork.

Art experts and conservators at The Phillips Collection in Washington used infrared technology on the masterpiece, revealing a bow-tied man with his face resting on his hand.

Pablo Picasso created both works in Paris during his famous blue period.

Acknowledged as one of the 20th Century’s greatest artists, Pablo Picasso focused on monochromatic paintings in shades of blue and blue-green during his blue period from 1900 to 1904.

A hidden portrait has been found by scientists beneath Picasso’s painting The Blue Room

A hidden portrait has been found by scientists beneath Picasso’s painting The Blue Room

The Blue Room has been the subject of exploration since 2008 by experts from the Phillips Collection, National Gallery of Art, Cornell University and Delaware’s Winterthur Museum.

Improved infrared imagery allowed them to see a man wearing a jacket and bow tie, resting his bearded face on his hand with three rings on his fingers.

Technical analysis confirmed the hidden portrait was likely to have been painted just before The Blue Room.

Curator Susan Behrends Frank told press agency AP: “When he [Pablo Picasso] had an idea, you know, he just had to get it down and realize it,” explaining that the artist had quickly painted over another completed picture when the inspiration took him.

“He could not afford to acquire new canvasses every time he had an idea that he wanted to pursue. He worked sometimes on cardboard because canvas was so much more expensive.”

The Blue Room has been part of the Phillips Collection since 1927.

Conservators suspected back in 1954 it may have had another painting below its surface, as brushstrokes did not match the composition of a woman bathing in Pablo Picasso’s studio.

But it was not until the 1990s that an X-ray revealed a “fuzzy image” of something under the main image.

Research on The Blue Room will continue and curators have planned a 2017 exhibition focusing on the painting and the portrait beneath it. It is also part of a tour to South Korea in 2015.

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